I’ve just waved my cousin off on a big adventure. He’s emigrating to Australia and starting a new life with his wonderful partner. He’s one of my favourite people in the world; we’re very close and I know I’m going to miss him hugely. But I am very proud of him and thrilled about the adventure upon which he is embarking.
Technology is going to help enormously. All his family and friends will be able to email, facebook, tweet, Skype, phone etc… and once he is fully settled, we won’t feel (I hope) all that disconnected at all. What an amazing world we live in!
So, how does this link to my current theatre project with The Rose Company? Tenuously, but importantly, through the idea of connection. The Rose Company, as stated a few posts ago is newly formed, so we need to get to know each other – to feel connected as a company – to start to trust each other and each other’s ways of working. There is no quick way of doing this, but, hopefully, slowly but surely over the rehearsal period this should begin to happen.
Additionally, though, there is the connection through time to the writer Lady Jane Lumley, who wrote the play we are performing well over 400 years ago, and in her turn she must have felt a connection to the Euripides’ Iphigenia, which apparently premiered in 405 BC! It’s amazing to me how characters from such time-scales can still be so relevant and immediate today, but they are. They really are! I already feel an incredible connection to Iphigenia and Clytemnestra, to name but two – and not just because of the plight they find themselves in. In Lady Jane Lumley’s hands, at least, they are strong, passionate women about whom it is very easy to care and respond strongly to.
Amazingly, to accompany the play – or bookend really, as we are using it at the beginning and end – we are using a tune suggested by a member of the cast: Seikilos Epitaph, which is the oldest surviving complete musical composition in the world – thought to be from the 1st century BC. It’s a beautiful, haunting little melody – entirely appropriate for our production and with lovely moving lyrics which I’ll reproduce when we’ve decided exactly the form they will take for us.
I find the idea of being connected through theatre to dates like 1st century BC (and obviously 405 BC with the Ipigenia premiere) somewhat mind-blowing – and very, very exciting.
Here are just a few photos of the Rose Company in action in our first rehearsals:
Yours – connected-ly,