Connect 14

At the start of 2014, I find myself in a reflective mood.

I still have a (small) handful of days before I have to get fully into work-mode and I am mostly enjoying the unusually quiet pace of life:

– lie-ins
– cinema trips – American Hustle was good!
– reading -among other books, a birthday present of Simon Callow’s Being An Actor, which I first read at university and then lost, is a delight – like re-discovering an old friend
– DVD box sets – we’ve finally begun Game of Thrones (no spoilers, please!)
– seeing friends- I love feeding people (and being fed);
– twitter-ing…

Now I love twitter. Really love it, in fact, in what I am sure could become an unhealthy way if I could afford a pricier mobile phone contract, which allowed me more internet access. I love following people, especially theatre/arts people – interacting with them, finding out about their projects, reading their blogs.

I love it, but I also find it confusing and sometimes intimidating and this is at least part of the reason for my reflective mood, that and a natural – for me at least – slight new year/new beginnings angst. There is so much out there (banal statement of the year award!) that, although I see a lot of theatre and other live performance, I sometimes feel as if I am missing all the really important shows and am not entirely sure where my own (largely northern England-based) work fits in… The possible opportunities can also sometimes seem endless, which, while fantastic, can be scary, as knowing exactly which route to follow (no twitter pun intended) can be very hard to determine – and that’s without having to consider the practical money-making aspects…

So, where does this leave me at the start of 2014?

Well, to be honest, better off (I think/hope) than at the start of 2013. Aided and abetted by twitter – and other social media – ELART and The Rose Company shows were well-supported and well-received in my Lancaster home-city and a range of places around the country last year and we have a new set of dates for Lady Jane Lumley’s Iphigenia starting on January 12th (please see http://www.therosecompany.posthaven.com for full details and ticket links). Twitter also allowed me to have some conversations with people I would never have dared to contact via any other means and gave me the means to contribute to some important arts discussions (albeit in a tiny way) that I would never have had access to in any other way – I hope to continue this type of involvement in 2014.

However, as well as online connections, in 2014, I hope to further the face-to-face contacts that have been hugely valuable in 2013. These include (but are certainly not limited to):

– rehearsal rooms, which clearly abound with face-to-face-ness – I can’t wait to start working with talented performers in rehearsal rooms this year – Iphigenia and beyond
– the freelancers gathering, which started in summer 2013, and has brought about a range of possible projects and useful professional connections; it’s been a great addition to Lancaster life and I look forward to experiencing its development in 2014
– open space conferences – these have been a revelation to me and I can’t get enough of them! I loved the Fun Palaces one in October – and fully intend to play my part in making sure Lancaster has a fun palace in October 2014. I’m also really looking forward to D and D 9 in London at the end of January, which looks to be by far the largest open space I will ever have attended and is likely to give some face-to-face time with some twitter connections

So, on balance, I’m looking forward to meeting and working with an exciting range of people both online and off in 2014 – and hopefully making high-quality work, which resonates with a range of audiences – arguably the most important connection of all (but that’s for another blog post…)

Let’s connect!

elaru xx

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Memories

A year’s end is a natural time to look back and reflect. And, as 2013 has been such a busy and exciting year professionally, there’s a lot to reflect on – far too much for a blog such as this, so I’m just going to focus on the most significant moments-as they seem from this vantage point.

As always in the middle of winter, I find it hard to believe that summer existed (or could exist), but it did, and 2013’s summer had in it one day I will never, ever forget – ELART’s All the World’s A Stage, performed in the RSC’s The Dell at Stratford-upon-Avon. Thinking back about that day, I can still re-create almost every moment:

– Meeting up with the cast on the banks of the Avon – all of us excited about the day ahead, slightly cloudy at that mid-morning time, but soon to become gloriously sunny -the first of many hot days ahead, though we didn’t know that then so the weather seemed particularly special.

– Sitting under a small tree, operating the sound, taking photos and really enjoying watching my cast perform two well-received shows – I’ve rarely, if ever, felt quite so proud.

– Lunch-time frisbee, with its wonderfully surreal quality, also looms large in my memory – I was highly amused by the woman, who, watching 7 men dressed in black (most of the cast) walk purposefully out onto the grass in front of The Dell stage, said excitedly to her friend, “Ooh look – I think they’re going to perform!” and then watched bemusedly as they spent 10 minutes throwing said frisbee around!

It was a truly great day and one that I not unreasonably thought at the time would be the absolute pinnacle of my year. In some ways it was – putting on a Shakespeare show is Stratford is hard to beat – but, astonishingly, The Rose Company’s Iphigenia’s adventures have at least equalled it in terms of their place in my 2013 memories – and in terms of public interest and future potential for an individual show, they have surpassed it.

I have really loved working with Lady Jane Lumley’s Iphigenia in the latter half of 2013 – July to November- and it has been a delight to watch The Rose Company start to bloom.

Highlights have included:

– Our very first show at Reading – I remember just feeling hugely proud of all involved -and, having overcome a range of difficulties, including illnesses, we really felt like a team.

– Fantastic days in Cambridge and UCL, London -a particular thrill was finding out we were performing in the beautiful main UCL building with all the columns at the front – such an appropriate view for anyone coming to watch Greek tragedy!

– The wonderfully warm local reception we have received from Lancaster audiences and critics, who seemed to enjoy our shows in the fabulous Lancaster Castle setting as much as we enjoyed performing there – cells for changing rooms and all!

– Our radio interviews – we were truly grateful for interest from Radio Lancashire and Woman’s Hour and relished the opportunity to be on the shows.

Through all this year’s projects, I have also found the support of friends and family really special and quite humbling. Thank you to all who have come to shows, “liked” on facebook, shared links, re-tweeted on twitter, spread the word about us, sponsored us etc – you know who you are!

And a huge thanks to all who have worked in any way with me on any show/project in 2013 – not just the two productions I have focused on in this blog. I can’t wait to work with you all again next year – and with other friends as well. (You know who you are too!)

A year’s end is a natural time to look back and reflect and a new year is a natural time to look forward. Here’s to 2014 – let’s make more memories!

elaru xx

Iphigenia Pics

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The last three weeks have involved: rehearsals; a Rose Company mini-tour (Lancaster Castle, Homerton College, UCL); a feature on Woman’s Hour (here if you missed it – about 16 mins from end –http://www.bbc.co.uk/programmes/b03jfk1v); and the booking of new mini-north-west tour for January – King’s Arms, Salford, January 12; The Continental, Preston, January 16; Lancaster Castle, January 17; The Lantern Theatre, Liverpool, January 18. It’s been busy (and I haven’t thought about Christmas shopping yet…).

Here are a few pictures of the story so far…

 

Dress Rehearsal

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The Chorus

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Menelaus and Senex

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Clytemnesta and the Chorus

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Agamemnon and Iphigenia

Lancaster Castle

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Achilles and Iphigenia being recorded for radio

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Whole cast being recorded for radio

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The green room!

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The whole cast.

Homerton College

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Warming up.

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Clytemnestra and Orestes

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The touring cast.

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Clytemnestra, Nuntio (and me in background!)

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Iphigenia and fans – lovely audience members who wanted a photo with the hero!

UCL
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Iphigenia, Orestes and Chorus

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Agamemnon and Senex

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Chorus and Orestes

Really hope to see you at one of our January shows!

elaru xx